Destroyer - Have We Met? watery shortly after Suicide’s second full-length

shortly after Suicide’s second full-length

Orson Welles

Dual analog audio inputs and a full-range variable output

Interiors is Cameron’s attempt to exorcise and address some of those metropolitan secrets

Hey Mama (5:50)

Destroyer - Have We Met? watery shortly after Suicide’s second full-lengthDESTROYER conceived of Have We Met as a Y2K album. DAN BEJAR assigned producer and bandmate JOHN COLLINS the role of layering synth and rhythm sections over demos with the period specific Bjrk, Air, and Massive Attack in mind, but he soon realized the sonic template was too removed from Destroyers own, and the idea of a concept was silly anyway. So he abandoned it and gave Collins the most timeless instruction of all: Make it sound cool. The result is